| 요약2 |
The abandoned island Naoshima was reborn with the will of Chairman Soichiro Fukudake and the efforts of Tadao Ando. Tadao Ando designed the Benesse House Museum, the Chichu Art Museum, and the Lee Ufan Museum, which are called the three major museums of Naoshima. The museum of Ando designed buildings that harmonize with architecture, nature, and human beings. Among them, Lee Ufan of Lee Ufan Museum is a painter who focused on relationality in particular. In this study, the Lee Ufan Museum was selected as an example. This research focuses on the analysis of their conceptual relationship with the Lee Ufan Museum and the spatial composition that it implemented in architecture. The research methods include literature review, drawing analysis and field trip. Lee's work trends can be seen to be concentrated on the relationship such as 'objects-objects', 'objects-spaces', and 'objects-human beings'. From the perspective of Lee Ufan's conceptual relationships, the architecture of Tadao Ando can be understood as the relationship such as 'architecture-exposed concrete(matter)', 'architecture-human(moving line)', and 'architecture-nature(place)'. Through this analysis, the Lee Ufan Museum is not merely a solo work of Tadao Ando, but a successful case in which two outstanding artists to keep in step together as a collaboration between Ando and Lee. |