요약2 |
Most museums before the 17th century belonged to the privately owned spaces or mansions, for the purpose of collection and small gathering. With respect to the museum since the 18th century, along with the purpose of social education, the artifacts and the ruins were recognized as cultural heritage or cultural assets, not as personal belongings and the museums were changed into the form of open exhibition. Since then, in modern times, the preference of the public to the temporary exhibition at stated intervals grew, so that they could satisfy their intellectual and cultural desires through the continued accommodation of new exhibits, besides the existing exhibition of artifacts and cultural assets. Thus, the museums required for the flexible exhibition spaces to accommodate them in addition to the spaces for the semi-permanent exhibition or permanent exhibition. Due to that, the modern museums tend to configure the temporary exhibition spaces independently, besides the permanent exhibition spaces.This study aims to investigate the correlation according to the change of the lay out of temporary exhibition spaces by 'Space Syntax' to find out how the flexible temporary exhibition spaces, appearing in the modern museums, influence over the entire museums, through the national and public museums in Korea. |