| 요약2 |
The issue of nature, human, and architecture may be a theme that has been discussed and experimented endlessly to date since the modern times. In the realm of design, the term "organic" has been interpreted in an ambiguous and wide-ranging way, depending on the person who use the term and the situation. Organic representation in design means the fundamental way of representing the nature of human that coexist with the nature. This study examines the concept, background, and characteristics of the term "organic" through theoretical consideration of organic design, and analyzes the works of Ron Arad of England who has come to the spotlight as one of the most influential designers in our age based on many different preceding organic design approaches. Recently, his works have developed into organic forms, which give the impression of looking at the 'materials' themselves, by employing experimental techniques and designs that go beyond specific matter or area, and this study focused on the characteristics of organic representation in his many different artistic works. By exploring what characterizes the works of Ron Arad, who seek new design language, and the organic design characteristics revealed in his works, this researcher expects that the organic design would have unlimited potential in the future and reflect the most essential psychological and physiological features of human. |