| 논문명 | 1990년대 이후 미술관 전시공간 형태의 변화에 따른 관람자의 작품 인지에 관한 연구/글립토텍을 중심으로 한 정형전시공간과 비정형전시공간/A Study on the Public's Perception on Accordance with Change of Exhibition Space in an Art museum after 1990's - The Formal Form of Exibition Space and the Informal Form of Exhibition space in Glytothek Munchen |
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| 저자명 | 이정아 ; 문정묵 |
| 발행사 | 한국실내디자인학회 |
| 수록사항 | 한국실내디자인학회 학술발표대회 논문집 , 제 10권 1호 |
| 페이지 | 시작페이지(74) 총페이지(4) |
| 주제분류 | 계획및설계이론 |
| 주제어 | 미술관 ; 전시공간 ; 정형 ; 비정형 작품 ; 인지 ; Art Museum ; Exhibition Space ; Formal Form ; Informal form Art Work ; Perception |
| 요약2 | In the relationship between exhibition space and art work in art museum, the Pluralism on the late of the 20th century made the new form of exhibition space to be appeared on the stage. Even if formal exhibition space that emphasized itself as a non-spatial background is currently being continued, the informal form of exhibition space is coming to the new art museums, especially after 1990's. This study is to understand how the advent of new designed the informal form of exhibition space in the Glytothek museum(the formal form of exhibition space) design a new paradigm in the relation between the exhibition space and art work in conjunction with public's perception. To do this, it is made clear that the Glytothek museum(the formal form of exhibition space) simply has played a role of non-spatial background. In other hands, the new designed informal form of exhibition space that is mainly presented after 1990's begins to interrupt the public's perception of art work, changing it's meaning through a spatiality. |
| 소장처 | 한국실내디자인학회 |