논문집

원문다운로드
논문명 영상미디어 아트 공간연출 표현특성에 관한 연구/미술 전시장을 중심으로/A Study on the Characteristics of Space Production for Art Museums Reflex Media Art
저자명 유재엽
발행사 한국실내디자인학회
수록사항 한국실내디자인학회 학술발표대회 논문집  , 제 6권 1호
페이지 시작페이지(156) 총페이지(5)
주제분류 계획및설계
주제어 미술전시공간 ; 영상미디어 아트 ; 공간연출 특성
요약1 본 연구는 공간에서 새롭게 등장하는 전자예술 하나인 영상미디어 아트를 중심으로 미술공간에서의 표현양식을 살펴봄으로써 변모하는 영상미디어 표현과 공간연출 특성의 이해를 통해 현대 디자인의 한 맥을 얻고자 하고자 하였다.
요약2 Our time is called as the era of information-oriented society and up-to-date scientific technology, but it can be also called as the era of image. It is because the image has much influence upon our everyday life. In the deluge of images, the delivery of image is a better and faster synergic tool than the delivery of language, and this trend is consistent with the phases of the times in which the analog modality of synergy is converted into the digital one.
The image is a picture that is formed by a physical process, and is all the figures reflected by electronic equipments that reproduce the image. After the discovery of photograph in 1893, the image has been appeared first with the form of movie, and then with the form of TV. However, the appearance of such unidirectional synergic tools as movies and TV. has provided artists with some creative motives with which they intercommunicate their messages via some experimental bidirectional synergic tools. Among image-media arts, the performance of installation and participation is an important example that causes many changes through conceptional conversion, such as the conception of the time in space and formative characteristics. What satisfy this trend have been videos, lasers, holographic, and etc. Furthermore, the appearance of computer has provided a synesthesia, that is, a virtual reality, and mixed a real image with a visional one. The image-media art will realize better synergy through combining brand new machines, informational technology, and art, and have much influence upon our everyday life formatively and artistically in the future. with this study, through analyzing the meaning of relationship between image equipments and space.
소장처 한국실내디자인학회