논문집

원문다운로드
논문명 현대건축에 나타난 르네상스적/바로크적 특성에 관한 연구/뵐플린의 개념틀에 의한 국립현대미술관 서울관과 동대문디자인플라자의 비교분석을 중심으로 -/A Study on the Renaissance/Baroque Characteristics Appearing in Contemporary Architecture - Focused on the Analysis of National Museum of Modern and Contemporary Art Seoul Branch and Dongdaemun Design Plaza from the Concept Frame of Wolffrin
저자명 김인성(Kim, In-sung)
발행사 한국실내디자인학회
수록사항 한국실내디자인학회 논문집  , Vol.26 No.1(통권 120호)
페이지 시작페이지(142) 총페이지(11)
ISSN 12297992
주제분류 계획및설계
주제어 르네상스 ; 바로크 ; 뵐플린 ; 국립현대미술관 서울관 ; 동대문디자인플라자 Renaissance ; Baroque ; H. Wolfflin ; National Museum of Modern and Contemporary Art Seoul Branch ; Dongdaemun Design Plaza
요약2 This study investigated Renaissance and Baroque architectural characteristics found in contemporary public buildings in Seoul, which are National Museum of Modern and Contemporary Art Seoul Branch(MMCA) and Dongdaemun Design Plaza(DDP). Among H. Wolfflin’s five categories for Renaissance-Baroque art study, four categories (Clearness/Unclearness, Plane/Recession, Closed form/Open form, Multiplicity/Unity) are applied for the analysis as the architectural issues of Transparency/Concealment, Exhibited/Experienced Depth, Formal/Figural, and Composed harmony/Generated Unity. As a result, MMCA showed the characteristics of the extreme of Modern classic such as transparency, homogenization of space, formalism, and composition of multiple elements. Meanwhile, the study could find various Baroque characteristics from DDP such as separation of indoor and outdoor, phenomenological depth, rule breaking, and generation of figure. The study finally argued that DDP would not be an anti-modern, but try to inherit and overcome the modern architecture to explore different possibilities, and that the similar relationship between Renaissance and Baroque art could be found in these two cases.
소장처 한국실내디자인학회