| 논문명 | 쿠마켄고의 건축론에서 나타나는 반(反) 오브젝트의 개념적 특성과 디자인 방법에 관한 연구/A Study on the Conceptual Characteristics and Design Methods of Anti-Object in Architectural Theory of Kengo Kuma |
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| 저자명 | 박찬일(Park, Chan-Il) |
| 발행사 | 한국실내디자인학회 |
| 수록사항 | 한국실내디자인학회 논문집 , Vol.24 No.2(통권 109호) |
| 페이지 | 시작페이지(67) 총페이지(9) |
| ISSN | 12297992 |
| 주제분류 | 계획및설계 |
| 주제어 | 쿠마켄고 ; 반 오브젝트 ; 디자인 방법 Kengo Kuma ; Anti-Object ; Design Method |
| 요약2 | This study is to contemplate an ultimate goal and new methodology the architecture and space design community should pursue forward by analyzing concepts in Kengo Kuma’s idea of “Anti-object” and examining his design methods and characteristics. To this end, I reviewed space design methods and features in his book of 「Anti-Object」 and his architectures built around in 2000. The result is as in the followings. (1) Contact is an essential concept of “Anti-object” to connect and integrate divided materials and consciousness with time and space. (2) Elimination is a meaningful way to reverse “cohesiveness” of agglomerated cluster which is a form of object and reconstruct it into the form of passive and acceptive “Anti-object”. This idea is realized through overlap of material property and removal of massing. (3) Minimization is a concept of “Anti-object” to set the temporality free from constraints of materials. Three-dimensional transparent faces and lines or patterns of porous materials can be used to remove static and coercive volume. (4) A particle is a “reflector of its environment.” It rebuilds one-way or disconnected communication between human and architecture into an interactive one. Kengo Kuma materializes this “particle” by exploring positional relation with physical paths, precise details and measurements. |
| 소장처 | 한국실내디자인학회 |