| 논문명 | 팔라디오 건축의 씨노그래피적 공간과 투시도적 공간에 관한 연구/A Study on the Scenographic and Perspective Space in the Palladio’s Architecture |
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| 저자명 | 전영훈 |
| 발행사 | 한국실내디자인학회 |
| 수록사항 | 한국실내디자인학회 논문집 , v.15 n.2(통권 55호) |
| 페이지 | 시작페이지(3) 총페이지(10) |
| ISSN | 12297992 |
| 주제분류 | 이론 |
| 주제어 | 투시도적 공간 ; 씨노그래피적 공간 ; 일루져니즘 ; 현실 ; 이상 ; 재현 Perspective space ; Scenographic space ; Illusionism ; Real ; Ideal ; Representation |
| 요약1 | 본 연구는 팔라디오의 작품에서 발현된 투시도적 공간과 씨노그래피적 공간의 구성기법을 분석하고 그 건축적 의의를 고찰함으로써 그에 관한 해석의 지평을 확장하는데 목적이 있다. |
| 요약2 | The renaissance architects had considered perspective system as accurate tool for the visual representation, but Palladio did not agree with this belief and demonstrated that it is a system based on optical illusionism. On the base of this faith, he created another optical illusion system can be called ‘scenographic space’. But the remainder of his works reveals many perspective installations mobilized as well as it. In this context, this study aimed to analyze the meaning and usage of these two space composition systems in the Palladio's architecture. For the purpose of it, a preliminary study examine the background of his idea and make a comparative analysis between the two systems, and then finally analyze the concrete works in compliance with the building types. And then, this study comes to the following conclusion. The scenographic space create the cognition of discontinuity which was produced by the perceptual mask perpendicular to the subject's eye. In opposition to it, the perspective techniques join the space between the subject and his outer world. In result, the viewer lost or attach his attention on the connection between the real and the virtual, the secular and the divine, and the inside and the outside. Palladio applied these two illusion systems to all types of his architecture. By means of it, he could achieve the desire of his patrons and reconstruct the classical architecture of the late renaissance age. |
| 소장처 | 한국실내디자인학회 |