| 논문명 | 리퀴드 스페이스에 대한 들뢰즈의 타자의 기하학적 해석/2000년도 이후 발표된 작품을 중심으로/An Interpretation of Deleuze's Other Geometry in Terms of Liquid Space : Focused on Works Published since 2000 |
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| 저자명 | 김선희 ; 이한나 |
| 발행사 | 한국실내디자인학회 |
| 수록사항 | 한국실내디자인학회 논문집 , v.14 n.5(통권 52호) |
| 페이지 | 시작페이지(98) 총페이지(8) |
| ISSN | 12297992 |
| 주제분류 | 계획및설계 |
| 주제어 | 유동공간 ; 들뢰즈 ; 타자의 기하학 Liquid Space ; Deleuze ; Other Geometry |
| 요약1 | 본 연구의 목적은 첫째, 타자와 타자의 기하학에 대한 용어를 정의한다. 둘째, 타자의 기하학에서 해석의 실마리 즉 키워드를 추출하고 추출된 키워드로 작품을 분석한다. 셋째, 타자의 기하학적 관점에서 추출한 공간조형언어로 작품을 분석한다. 리퀴드 스페이스의 조형성을 타자의 기하학적인 관점에서 해석한 본 연구의 의의는 21세기 새로운 패러다임에 입각한 공간디자인을 이해하는데 있어 중요한 단서가 될 것이다. |
| 요약2 | Through advanced computer technology, our physical environment became a flexible and liquid space that is a multi-functional space structure, hetero-alliance, formless, interactivity. We attempt to interpretate Deleuze's Other geometry as a space designer. Hence first, the aim of this study is to define the meaning of the Other and Other geometry. Second, to extract keywords out of the Other geometry to analyze the work. Third, to analyze the work using the space formative languages(blob, blurring, distortion, folding, layering, lightness, nesting, repetition, shear, transparency, twisting, unfolding, warping, waving, and weaving). The 13 works were selected which have been issued after year 2000 with the focus on liquid space studies. The methods of this study are literature research and contents analysis. The results of the analysis were as follows. First, the source is the Other who is a hidden potentials in the surrounding environment, and this source has the capability of making it part of reality anytime. Other geometry means it is a theory that is comprised of various lines that with the kind of experiences that one has in life. Second, the key words that were extracted from the theory of Deleuze's Other geometry were of ①hetero-alliance(reflected in a sculptured shape or a fluid abstract form), ②dis-form(by speculating the user's movements, and combining space elements with external forces), ③interactivity(information was exchanged real time between the user and his environment where the space took on a sensory institution). Finally, after studying the works using the space formative languages, we found that blob, warping, waving were used externally, and repetition, warping and waving for mostly used internally. |
| 소장처 | 한국실내디자인학회 |