| 논문명 | 베르너 팬톤의 의자디자인에 나타난 표현특성에 관한 연구/1955년부터 1970년까지 디자인된 의자를 중심으로/A Study on the Expressive Characteristics in Verner Panton's Chair Design : Focused on chairs designed from 1955 to 1970 |
|---|---|
| 저자명 | 김진우 |
| 발행사 | 한국실내디자인학회 |
| 수록사항 | 한국실내디자인학회 논문집 , v.14 n.2(통권 49호) |
| 페이지 | 시작페이지(178) 총페이지(10) |
| ISSN | 12297992 |
| 주제분류 | 계획및설계 |
| 주제어 | 베르너 팬톤 ; 의자디자인 ; 표현특성 |
| 요약1 | 덴마크 가구디자인의 역사와 특징은 고유의 전통소재인 목재에 대한 사랑과 이해 및 활용으로 요약된다. 인간공학적이고 자연친화적인 덴마크의 가구디자인은 근대 모더니즘을 대변하는 인터네셔날 스타일(International Style)과 차별화 된 독특한 데니쉬 모더니즘(Danish Modernism)을 형성하고 있다. 하지만 덴마크의 평범한 가정에서 태어나 한 때 화가를 꿈꿨던 베르너팬톤(Verner Panton)의 가구디자인에서 보여지는 특징은 이러한 조국의 환경 하에 자라난 디자이너의 결과물이라고 이해하기 어려울 만큼 덴마크 디자인의 전통과 차별화 된 요소를 가지고 있다. 다양한 재료와 대담한 원색사용으로 알려져 있는 그의 디자인 근원 및 배경과 사례를 통해 그의 의자디자인에 나타난 표현특성을 도출해 보고자 하는 것이 본 논문의 목적이다. |
| 요약2 | The Danish furniture designer, Verner Panton's work is comprised of the appreciation and application of the traditional material-wood, which is peculiar to the Danish modernism and its distinctive and unique expressive characteristics. Well known for the application of a wide range of high-tech material accompanied by the bold and primary color used his work, the purpose of this study is to draw the expressive characteristics apparent in his work by analyzing the origin, background and case study of his design. The origin including the background of Verner Panton's design is based on the identity of the Danish Modernism and international design trend, which is revolved around the pop culture and is under the direct influence of Martin Johansen and Poul Henningsen. In order to understand the expressive characteristics found in the Verner Panton's chair design, a case study was conducted from 1955 where his debut piece of work, Cone chair was premiered at the Fredericia furniture Fair up through 1970 where Visiona 2 project was presented at the Koln International furniture fair. As a result, the total of 41 chair designs was analyzed by the following four criteria: form, finishing, functionality, and structure. According to the result of the analysis, the design by Verner Panton was based on the experiment of the organic form, his tendency to the pop culture, the concept of space, mobility, simplicity, and sensible creativity of space. Once criticized for being extemporary and consumptive, nevertheless, the outcome of Verner Panton's chairs not only introduced the fresh new and positive ideas that have been mass-producing for over 40 years but also they keep on getting upgraded in accordance with the development of material. |
| 소장처 | 한국실내디자인학회 |