| 논문명 | 현대 박물관건축 전시공간의 환경구성방법에 관한 연구/A Study on the Environmental Organization within the Exhibition Space of the Contemporary Museum |
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| 저자명 | 이성훈 |
| 발행사 | 한국실내디자인학회 |
| 수록사항 | 한국실내디자인학회 논문집 , v.14 n.2(통권 49호) |
| 페이지 | 시작페이지(169) 총페이지(9) |
| ISSN | 12297992 |
| 주제분류 | 계획및설계 |
| 주제어 | 박물관 ; 미술관 ; 공간구조 ; 전시공간 ; 공간통사론 |
| 요약1 | 본 연구는 박물관의 공간구조의 중요성에 대한 인식을 토대로 1990년도 이후에 완공된 현대 박물관에 나타나는 공간구조방법의 변화경향을 살펴보고, 지식의 공간화 방법으로서 전시공간의 환경구성방법에 대한 특성을 파악하는데 그 목적이 있다. 이것은 향후 박물관 전시공간의 디자인에 적용하기 위한 지표를 설정할 수 있으며, 이를 통해 박물관이 합리적인 해석과 이해를 바탕으로 계획되어 관람자를 위해 보다 효율적으로 봉사하는 기구로서 박물관의 역할과 기능을 다할 수 있기를 기대한다. |
| 요약2 | The purpose of this study was to find the characteristics of the exhibition space planning methodology as "Spatialization of Knowledge" through analyzation of the spatial structure in the contemporary museum architecture. The result of this study is expected to apply in designing an exhibition space and may become a target point. Further more this study can result a museum design to assist actual museum to fully function and play a role as a service facility for users by containing broad knowledge and fair understanding of user's needs in museum planning. Basic survey of museum architecture history will help visualizing conceptual structure of the museum exhibition and the “Space Syntax” method has been used to make this conceptual data more objective. This study found that the contemporary museums most likely to include in its planning the various spatial organization in order to convey knowledge. The result reflects the needs of modern society which shows the design accepting individuality in society with variety of needs. And this also explains that museum space organization has to reflect various ways or methods of conveying knowledge. In addition, users have tendency to prefer more open space organization for easy access and approach in exhibition environment. It is clear to see the change in today's viewing pattern that the users prefer flexible exhibition space where they can be more proactive in receiving knowledge by following their own circulation over architecturally constrained circulation pattern within the exhibition area. |
| 소장처 | 한국실내디자인학회 |