| 논문명 | 제품군을 형성하고 있는 의자디자인의 특성에 관한 연구/모더니즘부터 현대까지 나타난 북유럽의 의자디자인을 중심으로/A Study on the Characteristics of Chair Design with a Concept of Ranges : Focused on Scandinavian Chair Design from Modern to Contemporary |
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| 저자명 | 김진우 ; 이한나 |
| 발행사 | 한국실내디자인학회 |
| 수록사항 | 한국실내디자인학회 논문집 , v.14 n.1(통권 48호) |
| 페이지 | 시작페이지(126) 총페이지(8) |
| ISSN | 12297992 |
| 주제분류 | 계획및설계 |
| 주제어 | 제품군 ; 의자디자인 ; 북유럽 3국 |
| 요약1 | 본 연구는 제품군을 형성하고 있는 의자디자인이라는 새로운 시각으로 의자디자인을 조명하고 고찰하여 이를 바탕으로 북유럽 의자디자인의 배경과 현황을 파악하고 특성을 도출하는데 연구의 목적이 있다. 제품군을 형성하고 있는 의자디자인은 최근 화두가 되고 있는 맞춤형 디자인 개념에 적합하여 소비자의 요구에 감각적으로 대처할 수 있으므로 이에 관한 보다 심도 있는 연구가 필요하다고 판단된다. 따라서 본 논문은 이를 위한 기초 자료로 활용되고자 하는데 연구의 의의를 가진다. |
| 요약2 | Chair design in recent international furniture exhibitions showed that chair products were varied with several elements in simple and basic shapes. Likewise, the project supposedly referred to a group that could be classified as a design with a concept of ranges, and if the design were aimed at mass production, those group concept could be even stronger in the fields of design. Based on many modern and contemporary examples of mass-produced chairs from three Scandinavian countries namely Denmark, Sweden, and Finland, this study was aimed at discovering new points of view, characteristics, and chair design concerning dominant products. The six companies and three artists were selected as this research's samples. The companies have to have more than four kinds of ranges, and they were Fritz Hansen, Bla Station, Kallemo, Lammhults, Artek, and Vivero. We have chosen the 3 artists such as Hans J. Wegner, Bruno Mathsson, and Alvar Aalto who have repeatedly used their own motives to reflect their national identities in various works. The method of the research was the analysis of the current situations of chair designs' ranges. The results of the analysis on the product group for each of the six selected companies show the following variables: 1)Formative characteristics 2)Structural characteristics 3)Emotional characteristics. The artists' groups have symbolically expressed personal identities, and consequently, national identities. Finally, the variation in the simple elements of chair design made the identification of product groups ultimately easier, as the expressions and applications of their identities were used within the scope of mass products in various designs. |
| 소장처 | 한국실내디자인학회 |