| 논문명 | 유기적 모더니즘 가구디자인의 조형적 특성에 관한 연구/현대미술과의 상호연관성을 중심으로/A Study on Formative Characteristics of Organic Modernism Furniture Design : Chiefly focusing on mutual relationship with Modern Art |
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| 저자명 | 최병훈 |
| 발행사 | 한국실내디자인학회 |
| 수록사항 | 한국실내디자인학회 논문집 , v.13 n.3(통권 44호) |
| 페이지 | 시작페이지(153) 총페이지(9) |
| ISSN | 12297992 |
| 주제분류 | 계획및설계 |
| 주제어 | 유기적 모더니즘 ; 현대미술 ; 가구디자인 |
| 요약1 | 본 논문에서는 1930년대부터 1960년대까지 미국과 스칸디나비아에서 주로 나타난 유기적 모더니즘 가구디자인의 조형적 특성에 대하여 연구하고자 하며 그 과정으로써 1910년대부터 약 50년에 걸쳐 나타나는 현대미술의 유기적 조형성과의 상호연관성을 도출해 보고자 한다. 이를 통해 자연과 인간과의 관계를 중요시하는 인본주의에 기반 한 유기적 조형성의 의의를 되짚어보고자 하며 오늘날 다시 화두가 되고 있는 가구디자인에 있어서의 유기적 조형세계를 이해하고 발전시키는데 필요한 자료로 활용하고자 한다. |
| 요약2 | Organic Modernism was inaugurated by Alvar Aalto as an alternative plan to the formative limitation of Geometrical Modernism. It began to appear in the 1930s in the fields of Architecture, Furniture, Product Design and so on. It is known that who began with organic formative language is closely related to surrealistic artists Andre Breton as well as other artists and sculptors in that era. Such Formative Language formalized a stream of Organic Modernism Furniture Design unique to the regional and cultural characteristics of Scandinavia. After crossing over to America, mass production of Furniture was born and new materials were linked by industrialization. The Characteristics of Organic Formation in Modern Art such as Three -Dimensional, Biological Morphological, Symbolical, Primitive, Fantastical, Non-Realistic, Incidental, Irregular, transmit to Furniture Design. They are as Characteristics especially with Three-Dimensional, Biological Morphological and Symbolical aspects. Histories of Art and design, there are some examples showing mutual interchange between Functional and Artistic Character. This thesis also clarifies the Formative Relationship that the Furniture designers who pursued Functionality and Mass Production had obtained from Modern Artistic works and the Artists, through the process of comparing and researching the typical Artists and their works. |