| 논문명 | 음악과 건축에 있어서 카오스모스적 접근방법에 관한 연구/삐에르 불레즈와 렘 콜하스의 작품을 중심으로/A Study on Chaosmos Approach in Music and Architecture : Focused on Pierre Boulez' works and Rem Koolhaas' works |
|---|---|
| 저자명 | 박소라 |
| 발행사 | 한국실내디자인학회 |
| 수록사항 | 한국실내디자인학회 논문집 , v.13 n.3(통권 44호) |
| 페이지 | 시작페이지(35) 총페이지(8) |
| ISSN | 12297992 |
| 주제분류 | 계획및설계 |
| 주제어 | 카오스모스 ; 삐에르 불레즈 ; 렘 콜하스 |
| 요약1 | 본 연구에서는 이러한 카오스와 질서의 문제를 다루고 있다고 여겨지는 작곡가 삐에르 불레즈(Pierre Boulez)와 건축가 렘 콜하스(Rem Koolhaas)의 작품을 중심으로 음악과 건축의 카오스모스적 접근방법에 대해 살펴보고자 한다. |
| 요약2 | This study dealt with approaches in architecture and music in the contemporary situation characterized by accidence and uncertainty through Pierre Boulez and Rem Koolhaas' works. First of all, we examined basic positions with starting from zero degree breaking from fixed ideas and with relative neutrality. Then, from a methodological aspect, we inquired into 1) anti-hierarchical objective approach, 2) accidental approach to form, 3) diagram of structure and event, and 4) the use of selective routes. Lastly, from a receptive aspect, we dealt with the space of pluralistic perspective and works in progress. The two persons used chaosmos approach that enables adjustment and control through structure defining the relationship with accidence or chaos. With the approach, they created works in progress or open works that have a pluralistic viewpoint working in the field of specific relation and the concept of endless regeneration. |