| 논문명 | O.M.Ungers의 건축에서 나타나는 르네 마그리트의 이중성에 관한 연구/The Study on the Doubleness of Rene Magritte appeared in the Architecture of O.M.Ungers |
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| 저자명 | 이병욱 ; 김용승 ; 박용환 |
| 발행사 | 한국실내디자인학회 |
| 수록사항 | 한국실내디자인학회 논문집 , v.13 n.1(통권 42호) |
| 페이지 | 시작페이지(38) 총페이지(8) |
| ISSN | 12297992 |
| 주제분류 | 계획및설계 |
| 주제어 | Ungers ; 르네마그리트 ; 이중성 |
| 요약1 | 본 논문의 목적은 웅어스가 주장하는 건축적 접근 방법을 건축가 본인이 영향을 받았다고 이야기하는 르네 마그리트의 작품세계를 기반으로 마그리트의 회화적 개념과 웅어스의 건축적 개념을 고찰하고 이러한 개념이 웅어스의 건축에서 어떻게 구현되고 있는 가를 분석하고자 한다. |
| 요약2 | One of the prominent phenomena since 1960's is the diversity of concepts. It is to deny the standard of meta structure in judging value as a framework of truth understanding. M. Foucault says that we are living in a synchronous, parallel, and scattered epoch. In the architectural approach and interpretation of Ungers, such a phenomenon appears as multi-dimensional relations. The works of Ungers show the concrete manifestation of such thoughts since 1960's. He has exerted significant influence on German architecture through his book ‘Architecture as Theme’ and architectural works. His architecture has focuses on analogy and abstraction on the foundation of his well defined theory. As the features, it shows dialectic relations, mix of confrontation, interests in geometry and morphology. In this respects, the paper tries to find out the relationship between his architectural thoughts and the paintings of Rene Magritte in terms of the attributes of doubleness in the sense of a paradox. Ungers himself refers that he was directly influenced by Magritte. |