| 논문명 | 바우하우스 무대 미술의 공간 조형성에 관한 연구/A Study on the Space Design Characteristics of Scenography in Bauhaus |
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| 저자명 | 김일환 ; 김주연 ; 전흥수 |
| 발행사 | 한국실내디자인학회 |
| 수록사항 | 한국실내디자인학회 논문집 , NO.29 |
| 페이지 | 시작페이지(77) 총페이지(9) |
| ISSN | 12297992 |
| 주제분류 | 계획및설계이론 |
| 주제어 | 바우하우스 ; 무대미술 ; 무대공간조형 |
| 요약1 | 본 연구는 무대미술에 있어 자연주의적이며, 사실주의적 극예술에서 의식 속으로 관심을 옮겨 허구적이며, 유토피아적이고, 의식의 흐름을 쫓아 다 차원을 시도한 바우하우스 무대미술공간 조형성을 살펴보고, 바우하우스 무대미술 특성들이 현대무대미술에 어떠한 영향을 미쳤는가를 비교 분석 하여 무대미술 공간조형연구의 기초자료마련을 목적으로 한다. |
| 요약2 | The change of society causes the change of art necessarily. The experiments of plastic art which had been done by avant-garde movements at early 20th century have pursued "Object drama" consistently as trials of more or less abstract drama. As these plastic arts have used genre or media like circuses, sports, variate, films, screen play, newspapers and a quick method which had not been considered suitable for conventional aesthetic plastic arts, these arts looked provocative and, these provocative plastic arts have ignored universality shown in conventional arts and have caused extreme "sensation" accordingly. As a result, abstract art based on style which is against aestheticism and naturalism has been generalized. This style does not deny customary laws of art wholly but it requires new concept. Having ignored traditional styles, a new compositive and responsive way of composition which does not deviate from tradition has been pursued. A new and general understanding of arts which do not deny all conventionally-effective aesthetic standards extremely has been developed. In this regard, this study analyzes characteristics of Bauhaus Theater which has tried to apply new technology engineering to plastic art as an integrated concept of art and technology amongst the directions of development of provocation, innovation and revolution in case of the plastic art of stage painting, and analyzes how this influences on modern painting in terms of avant-garde arts reviewing the meaning of this theory. |
| 소장처 | 한국실내디자인학회 |