| 논문명 | 공간디자인의 비(非)물질화 경향에 관한 연구/A Study on the Dematerializing Tendency in Contemporary Space Design |
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| 저자명 | 권영걸 |
| 발행사 | 한국실내디자인학회 |
| 수록사항 | 한국실내디자인학회 논문집 , NO.22 |
| 페이지 | 시작페이지(61) 총페이지(8) |
| ISSN | 12297992 |
| 주제분류 | 계획및설계 |
| 주제어 | 비물질화 ; 경량성 ; 투명성 ; 중성화 ; 초표피 |
| 요약1 | 본 연구는 오늘날의 공간디자인의 중심적 문제인 구축공간의 리얼리티의 문제, 개념과 물질, 관념과 경험의 의미를 구축공간의 비물질화 (dematerialization) 경향을 통해 규명하고자 한다. 즉 사물이 리얼리티를 상실하는 비실재성의 시대에 실재를 획득해야 하는 건축의 고민, 즉 끊임 없이 변하고 단명하며 상대적인 관계 속에서도 항구적 공간을 만들지 않을 수 없는 건축의 문제를 파악하고, 다양한 사례를 통해 이들 현상을 해석하는 데 그 목적을 두고 있다. |
| 요약2 | This paper illustrates what the reality of architectural concepts, materials, notions and phenomena are as central questions of contemporary space design. These issues form the goal of modern space design which should attain to the reality of an era when non-real values prevail. Despite the trends of an everchanging and ephemeral dominating quality in architecture for the last ten years, architects still aim to construct everlasting space on earth. The trends of dematerialization in today's space design can be substantiated in spatial-temporal dimensions as follows. First of all, ephemeral architecture with concepts of hypothetical temporality, everchanging architecture in fluidity, and the transparent architecture with the floating and overlapping image can be analyzed in the dimension of ‘time’. In terms of ‘space’, void quality for the expression of emptiness, neutral space by the simplified and summarized forms, expanded space through ambiguous boundaries and spatial repetition can be characterized and also be intended strategies for lightness, state of flux, ambiguity, paradox etc., lead modern space design along that path. At this point, we need to pay attention to the so-called ‘hypersurface’ concept proposed by Stephen Perella. Hypersurface is a sort of cladding sheathing existence independent from the primary structure. With it, the integration between form and image can be achieved. Sometimes hypersurface can be a strategical screen for image projection, a cognitive receptor for surroundings as well as a catalyst for information and communication systems. When the situation dematerializes more and more as the years go on, the concept of hypersurface can be an inclusive method between the phenomenological form in architecture and its self recipient image. Permissive atmospheres created between them in contemporary space design and new paradigms emerged with digital technology will further reinforce the human space's dynamism. |
| 소장처 | 한국실내디자인학회 |