| 요약1 |
본 고는 전통가구의 범위를 조선조 후기 상류층 가구를 그 이론적 배경의 범위로하고, 적용범위는 가구의 형태면에 주안점을 두어 살펴봄을 밝혀둔다. 한편 전통미를 이해하고 오늘의 조형예술 및 생활용구로의 적용과 재창조에 관련된 선행연구논문은 대부분 건축,환경 및 실내디자인 분야에 편중되어 있으며, 이들 연구는 주로 contextualism적 접근방법에 의하여 이루어지고 있다. 반면 가구디자인분야는 전자에 비하여 숫적으로 열악한 편이며 그 하나의 전개방법을 예로 들자면, 거실가구(안락의자와 테이블)를 주제로하여 전통가구의 특징과 현대가구에의 적용면을 형태, 장식, 재료적 측면으로 동일하게 분류하여 접근하고 있다. 따라서 본 고는 전통가구의 특징을 기본으로 한 직접적인 표현방법과 전통문화인자속에서 맥락을 찾아 이의 상징·유추를 통한 가구에의 적용방법으로 나누어 접근함으로서 보다 체계적인 전통성 표현방법을 제시하고자 한다. |
| 요약2 |
We have lost our true characteristics without being grown and development of our traditional beauty in state of drawing into a whirlpool as the environment of western culture. So, to be existed for self-sown capability of our traditional culture, we`ll have to keep up with the unique and creative Korean traditional furniture design through the synchloization between "Traditionalism in our already westernized life"and "Korean identity in worldwide culture "based on independent position by correct view of worth, as for the escape from attitude of receive on western culture in recklessnese.Hereupon, first of all, after review of fornuclation backround and characteristics in traditional furniture to be established by an ancestor, based on this and extract the conceptual language, it was presented past published works as for the approaching method toward physical form aspect by use of pattern of modern access method.Secondly, it was the symbolic approaching from method based on traditional and cultural context. Gradually, the embodiment pf traditional image, in today`s features of our furniture loosing the particular cultural identirty is very important aspect, and beside above mentioned two methods, it should be investigated as for the diversified approaching study. Thereasafter, we`ll have to establish the position of our modern furniture in global wordwide, for seek the beauty being interrelated form past historical communications, under the circumstance of original and future-oriented value. |