| 요약1 |
Friedensreich Hundertwasser는 1928년 오스트리아에서 출생하여 현재에도 화가, 건축가, 그리고 환경보호운동가로서 왕성한 활동을 하고 있다. 그의 건축철학을 살펴보면 크게 두가지로 분류 할수 있는데 첫번째로, 예술과 건축의 조화를 통하여 획일성과 단일문화을 회피 하므로서 인간에 적합한 거주환경을 조성한다는 것이고 두번째로, 지붕및 옥상의 녹화와 입주목의 아이디어를 통해 인간과 자연이 공존할수 있는 즉, 인간과 자연이 조화된 건축물을 만들고자 하는것이다. 따라서 그에 의하면 개별적인 인간의 창조성과의 조화, 자연과의 조화라는 두가지 요소가 건축물에 동시에 실현 되었을때 비로소 이 건축물은 이상적인 것이 될 수 있다고 한다. 본 연구는 Hundertwasser 건축물의 특징을 분석하고 그의 건축에 나타난 다양성과, 생태학적 건축이 점점 더 중요한 비중을 차지하는 오늘날 그의 자연친화적 건축철학이 어떻게 그의 작품에 반영 되었는가를 알아 보는데 그 목적과 의의가 있다. |
| 요약2 |
Friedensreich Hundertwasser, born in Vienna 1982, is a painter, an architect and an environmentalist. His architecture is radically different from the traditional, straight-lined, functional architecture practised, for example, by the Bauhaus Masters. From the very beginning, he has tried by various means to show that radical changes in thinking are necessary, possible and realizable. Hundertwasser`s goal in his architecture is to make and give human dwelling in harmony with nature. His architecture is characterized by avoidance of avoidance of straight lines, "Window Right", irregular arrangement of windows, onion dom, a wealth of colours and such environmentally-friendly consideration as planting of roofs and realizing of "tree-tenants". The Hundertwasser`s architecture express his fundamental belif that we may not simply rob nature of her resources, but that we must also return territory to nature which we habe stolen from her. Roofs terraces and countyards planted with vegetation and "tree-tenants" buid bridges man and nature. They infuse the architecture with vitality and romanticism and are a statement of a quality rather than a standard of standard of living. It is quite possible to value the architecture of Hundertwasser as an important inspiration, as a sort of turninig point in the thoughts and actions of city planners. It`s success could be a healing shock for the international architectural community, which is hypnotized by technology and abused by the shortsighted interests of rentability. Under this pressure, today`s architerts trend to rebuce people to a nire part of the "Dwelling machine", without acknowledging that in the long run such machines eat away at people`s souls. |